The Fem Spot

Marriage, shmarriage… (Carrie Prejean vs. Perez Hilton)

Posted in Marriage, Pop Culture, queer theory by femspotter on April 23, 2009

April 23, 2009

Legal same-sex marriage has come to fruition in some of our United States. Not because everybody believes that all people should be allowed to enter into a marriage contract with their person of choice and receive equal rights and privileges under the law alongside heterosexuals, but because some people do. And gay rights activists should be proud of their achievement, which seems to be growing and spreading into the most unexpected places. To recap: same-sex marriage is currently legal in Connecticut and Massachusetts, and will soon be legal in Iowa (April 27, 2009) and Vermont (September 1, 2009).

Connecticut? The stingy, puritanical state with the highest average rate of per capita income (as of 2007, according to the United States Commerce Department) and the low average rate of pre-tax income charitable giving (1.3 percent as of 2005 according to Forbes.com)? Iowa? The seemingly conservative state nestled snugly in the Bible Belt?

Of course, I’m generalizing, which is unfair. While some people who live in these states may be opposed to same-sex marriage, others are not…though neither belief can be said to define the whole state in question. What this legality means for American homosexuals is that they will soon be able to live in legal matrimony in four states where heterosexuals must – by law – tolerate them. This is progress and it is good.

Unfortunately - even though he might have good intentions - the celebrity gossip blabbermouth known as Perez Hilton has set this progress back a bit by refusing to exercise tolerance for those with a different perspective. Apparently it’s all or nothing with him. As a judge at the 2009 Miss USA Pageant on April 19, Hilton posed a question regarding same-sex marriage to contestant Carrie Prejean, Miss California. Here’s her response:

Well I think it’s great that Americans are able to choose one or the other. Um, we live in a land that you can choose same sex marriage or opposite marriage and, you know what, in my country and in, in my family, I think that I believe that a marriage should be between a man and a woman. No offense to anybody out there. But that’s how I was raised and that’s how I think that it should be between a man and a woman.

Needless to say, out-and-proud Hilton was not pleased with her response and responded by calling her a “dumb bitch” on his blog the following day. He later “apologized” for his attack saying that he was “just soooo angry, hurt, (and) frustrated by her answer.” He took down his initial post but has left this reminder of its sting:

Carrie Prejean, according to Perez Hilton

Carrie Prejean, according to Perez Hilton

See, to me, that illustration is much more offensive than her remarks at the pageant. (I think that image implies that she may have gotten to the top of the pageant circuit by “alternative means.”) Let me explain how her remarks don’t justify the shock and disdain they were greeted by. For starters, it seems to me that Prejean championed the equal rights of homosexuals saying, “I think it’s great that Americans are able to choose one or the other,” referring to the choice of marrying a person of either one’s own or opposite sex. Furthermore, her personal belief that the word “marriage” is applicable to heterosexual unions ONLY is the majority viewpoint in this country, though it doesn’t mean that most Americans (Prejean included) advocate hatred. According to one recent poll, while 60 percent of the country is in favor of some kind of legal union between homosexuals, only one third of Americans support same-sex marriage. Even our liberal political pantheon (the Clintons, the Obamas, the Bidens, etc.) don’t advocate same-sex “marriage.” But Miss California: she’s the real villain? From where she stands, she has no ability to impact laws and amendments to the Constitution, crown or no crown.

This issue is truly semantic. As a non-Christian, should I transition the label of my union from “marriage” to “civil union” because I’m not religious, even though I am married to someone of the opposite sex? Marriage, shmarriage… It doesn’t matter to me what you call it; I want everybody to have the right to do it. I feel the same way about polygamy. As long as my tax dollars aren’t supporting the wives and children that a polygamous husband chooses to ignore financially – and as long as there’s no abuse involved, sexual or otherwise – why can’t polygamists have the “marriage” they want?

It seems that Hilton – who is himself the beneficiary of the free speech amendment as a blogger who often has less than eloquent things to say about people in the public eye – is not in favor of free speech for people who don’t share his opinions.

Or perhaps this whole thing is just a publicity stunt?

If that’s the case, and nobody’s feelings are really hurt, then this incident is upsetting me on several levels. In the first place, it’s taking attention from “real” news that’s more important: the state of the economy, women’s rights in the Middle East – and everywhere, new advances in the fields of science and technology, etc. The fact that CNN has devoted so much of its air time to this fiasco – booking Hilton on Larry King Live, for one thing – demonstrates once again the way this news network has devolved to tabloid journalism. (Good thing I don’t work for CNN, or it might have fired me for that declaration just like it did Chez Pazienza! Check out his blog. It’s definitely a better click than the one you might make to Hilton’s blog.) Hopefully this story will get lost in the haze of what CNN considers to be newsworthy: “Octomom” and her antics, tracking the outcome of reality television competitions, and the comings and goings of Sarah Palin and her daughter’s ex-fiance, to name a few of its hot topics.

But what REALLY bugs me about this is the fact that it forces me – a feminist blogger – to defend a beauty queen: a woman participating in a competition that reduces her to the status of an inanimate object. Don’t get me wrong: I’m not that kind of feminist. If Prejean is happy doing what she is, then I believe she should enjoy herself and I’m sorry that expressing her personal opinion may have cost her first place in the Miss USA Pageant. I’m the kind of feminist who thinks women should do whatever makes them happy without harming others: from raising kids to performing in porn movies to running businesses to running for President… But Prejean is not the person we should be listening to when we want to have a serious discussion about issues like same-sex marriage. She’s not qualified to make decisions about that for the mindless idiots who might hear her answer and agree with it because she’s very pretty! That spot should be reserved for somebody who has considered both sides of the argument and can render a “fair” decision, or at least for somebody who is prepared to answer the question with clarity. In a beauty pageant, the questions are a surprise.

Come to think of it, I don’t think Hilton should be the one to represent the gay community either. He’s definitely not qualified. And he’s made it his mission to “out” suspected homosexuals claiming that it’s their duty to be out and proud the way he is. There’s such a thing as personal privacy, Hilton. You’re not calling these alleged “closeted homosexuals” on their hypocrisy; you’re robbing them of their privacy. If I were a member of this community, I would resent the fact that Hilton has positioned himself as a gay crusader of sorts and despotically seized the spotlight as a representative of my cause. For me, this would be like waking up one otherwise average day to find out that I am being represented – as a feminist – by Ann Coulter. I don’t agree with anything she stands for – just the fact that she stands tall in her beliefs, so I would feel horrible if hers was the standard feminism by which mine was judged.

I aspire to live in a time and place where everybody can be who they are without criticism for it, and they don’t require the attention of others to validate their sameness or contrarily their uniqueness: where – as Gore Vidal envisioned – we will not be labeled as “homosexual” or “heterosexual” people for the homosexual or heterosexual acts we do.

Somebody whose take on same-sex marriage I would have liked to have heard perished on April 12 at the age of 58. Queer Theory “founder” Eve Kosofsky Sedgwick – who died from breast cancer (a disease that I’m convinced would cease to be the rampant epidemic that it is if it affected more men) - was apparently a straight girl like me, but one who posed interesting ideas about Jane Austen and masturbation, as well as insightful observations about the male characters in the works of Henry James, and more. Sedgwick thought that it is dismissive to read only heterosexual intent in the established literary canon, and reductive to assign the label “homosexual” to that same body of work. Instead, consider sexuality as if it were something elastic and something that has nothing to do with the words society uses to define it. The same thing can be said for gender: it doesn’t exist except for what we – as a collective society – say it means (masculine means strong/aggressive, feminine means weak/passive etc.). Sedgwick – having considered all of the relative social issues – is somebody I’d have liked to hear discussing gay rights issues, rather than the bland and beautiful Prejean or the offensive and rigid Hilton.

Perhaps Boy George said it best: There’s this illusion that homosexuals have sex and heterosexuals fall in love.  That’s completely untrue.  Everybody wants to be loved.

…even Prejean with her unattractive perspective. …even Hilton with his vulgar scribbles.

Farewell to The L Word: “this is the way that we live”

Posted in Feminist Theory, Film and Television, Pop Culture, queer theory, Sexuality by femspotter on March 12, 2009

March 12, 2009

I have many topics to rant about these days (misogyny in the Watchmen movie, the debate over castration of sex offenders in Europe, Campbell Brown’s ludicrous claim that her opinion-based “news” broadcast on CNN contains neither bias nor bull, the Rihanna scandal, etc.). Isn’t it a lovely time to be a woman! (It’s raining out and I’m entitled to be grumpy!)

After last Sunday’s broadcast of the final episode of The L Word, it got less lovely, I’m afraid.

The show’s creators claim to be astonished that so many straight women have feverishly tuned in to watch the lives of Los Angeles lesbians unfold over the past six seasons. Why? What other television programs do we have that are devoted entirely (and seriously) to women? Other shows about women often depict lives that revolve around men. Not The L Word.

True: the show does have its schmaltzy moments. It’s gone out with a bang: the “Who Killed Jenny Schecter?” bang. But it has also given us a lot to chew on over the years when it comes to the difficult challenges that face all (or many) women, gay and straight. I’d like to pause for a moment of silence in memoriam, and then tell you what this heterosexual woman learned from The L Word, and why she will miss it.

the-l-word-cast

The L Word gained notoriety early on rather than being swept under the rug owing to some pretty impressive star power. Many actors worry that “playing gay” will land them in typecasting hell. But once the beautiful – and surprisingly soft spoken despite the often harsh tones employed by her character – Jennifer Beals signed on to play Yale-educated, interracial art connoisseur Bette Porter, all of the rest of the chips fell into place. Beals - perhaps best known for the movie Flashdance (1983) - brought poise and intelligence to this keystone role. I love that the creators adapted some of her most interesting attributes for the character: Beals is a Yale graduate with interracial heritage.

Before long, actresses like Margot Kidder (iconic for her role as scrappy reporter Lois Lane in the Superman films) and Kelly Lynch - and even cultural heroines like Gloria Steinem - were making cameo appearances on the show. And by the end of its six seasons, controversial, full-figured  comedy actress Cybill Shepherd, out and proud lesbian funny lady Jane Lynch, and Oscar winner Marlee Matlin (playing the first deaf lesbian romantically involved with a hearing lesbian in television history) were regulars. Throughout, Bette, Tina, Shane, Alice, Tasha, Max, Helena and Jenny would meet and eat at The Planet, owned by Kit (Pam Grier – renowned tour de force black American actress). (If any of those descriptions sound insulting, I assure you that they are all reasons to be proud in my book!)

According to its before-the-finale special, The L Word challenged many of the stereotypes heterosexuals believe about lesbians: they hate men, they wear flannel shirts and Birkenstock sandals everyday, and they experience “lesbian bed death” the longer they sleep together. Because some of the sex scenes have been very explicit over the years, the show also lifted the veil over female same-sex sexuality. I confess that I often found the career and friendship exploits more enticing than the steamy love scenes, but it was definitely interesting to learn and understand the mechanics of a sexuality that I haven’t personally been privy to.

The L Word brought lesbians to a mainstream audience, and with “Les Girls” came some of the most important revelations for women in television history. I cried with Alice when her best friend Dana died from breast cancer. I looked with horror upon Dana’s amputated breast, clearly shown for all the world to see. We never get to look at breast cancer that way. We never get to see that butchery to women’s bodies.

Similarly, it’s also uncommon to spend time with a female character who identifies as a male and works toward transitioning from one sex to the other. Bravo to actress Daniela Sea (Moira/Max) for portraying this difficult life alteration with dignity and honesty. I cried for him every time he had to look in the mirror and see himself wearing a “costume,” the female body he was born with.

Kudos to the show for bringing smart alec Alice into our lives. I related to her desire to ”figure out” the world we live in by creating “The (Sexual Connection) Chart,” forcing the issues, pushing people’s buttons and speaking her mind. Come to think of it, I need to get myself one of those “I Love Alice” tee shirts from the show’s online store so I can wear it with pride: gay pride and feminist pride. (That’s right! I’m a straight woman with lesbian pride.)

I cried with Bette and Tina when they took their daughter Angie to the hospital with a high fever and the receptionist demanded that they decide which parent would represent Angie because the receptionist couldn’t comprehend one child having two mommies. I sympathised with Jenny when she sliced open her skin on the bathroom floor (as she’s done since childhood) and Shane found and comforted her. I cheered for Kit when she and Helena bought back The Planet and threw that witch Dawn Denbo out on her butt! I’m cheering now even though I know it’s time to say “goodbye.”

But the most important moment I experienced while pondering The L Word was to finally understand the politics behind the lesbian identity. It used to bother me when people (children) would tease me for my feminist ideals saying, “You must be a lesbian!” Why must I be? Not all lesbians are feminists and not all feminists are lesbians.

In late 2007, while writing an MA English paper on warrior sex and gender in an epic poem, I realized that I actually am a lesbian: I am a metaphorical lesbian. It dawned on me that, just as lesbians fight to be taken seriously as individuals in a world that applauds beauty and simple-mindedness in women and validates strength only in women who stand behind their men, I too fight to be taken seriously as a woman: just me, not me in relation to my husband or father, not me in relation to femininity. I refuse to model myself after a feminine ideal that isn’t natural for me. As a queer theorist, I reject the notion that sex and gender must always go hand in hand.

I wrote:

The “metaphorical lesbian” has been established, first by Bonnie Zimmerman in her essay “Lesbians Like This and That: Some Notes on Lesbian Criticism for the Nineties,” and then again by Elizabeth LeBlanc in her essay “The Metaphorical Lesbian: Edna Pontellier in The Awakening.” There is a political component to lesbianism that hasn’t always existed for gays. Historically, gay sex has been acceptable for free men, so long as they were in the active role of penetrator. This active role is associated with masculinity, while passivity is associated with femininity. According to Freud, it “is clear that in Greece, where the most masculine men were numbered among the inverts, what excited a man’s love was not the masculine character of a boy, but his physical resemblance to a woman as well as his feminine mental qualities – his shyness, his modesty and his need for instruction and assistance” (10). Kirk Ormand refers to some women of Ovid’s poetry as “impossible lesbians” because, with two female and thus passive participants, sexuality is at best limited and at worst unachievable. Lesbians therefore have something to prove: they must proclaim their active and yes, masculine, nature, and furthermore, they must convince the world that this nature is acceptable or even “normal.” “Because ancient Rome perceived sex as essentially predicated on an asymmetry of power, one of the two parties must be active and, if a woman, therefore monstrous” (Ormand 85). Lesbianism, as a political force, is thus parallel to feminism because both movements seek to achieve acceptance for socially unacceptable women: the active/masculine woman or metaphorical lesbian.

I never could think about lesbians without stereotypes until I got hooked on The L Word, and thus I certainly could not think about myself in relation to them. If someone accused me of being a lesbian today, I’d tell them, “Yes, I am.” Like “political lesbians,” I refuse to be defined by my relationship to men: daughter, wife, etc. I refuse to be compared to the feminine ideal and found lacking. I am a masculine woman. I wear dresses and boots. I’m pretty and tough. I’m not afraid to stand up for people and animals who can’t stand up for themselves…just like Alice!

I’ll miss the girls. I really liked them all…except for Jenny…but everybody is missing her these days anyway.

WALL-E: great for girls?

Posted in Feminist Theory, Film and Television, queer theory by femspotter on November 26, 2008

November 26, 2008

I was a kid in a candy store at my first screening of Pixar’s new miracle WALL-E. The film has generated quite a bit of Oscar buzz in that it might transcend the patronizing “Best Animated Feature” category and ascend to the higher realm of “Best Picture.” (As if animated movies require less vision or hard work on the part of their creators than do live action films!)

I fell in love with the little bot as he diligently hummed to and fro, compacting more than 700 years’ worth of human trash into orderly spires of stinking excess. As the sign says, he’s “working to dig (us) out.”

The darker message of the film is that we have destroyed our planet, making it so uninhabitable that we literally cannot inhabit it anymore. We relocate to a luxury spaceship cruise liner where – over those 700 elapsed years – we’ve managed to bulk up our body fat and trim down our bone mass. (Sounds like a terrific movie for children!)

Actually, it is a terrific movie for children. The lighter message is one of love: WALL-E and EVE will sacrifice everything – including their sacred directives – to spend time with each other. And what do they do together? Dance and hold hands. Isn’t that love…at least to a 4-year-old?

My husband – of the pantheon of men who tell their wives “No, I will not watch a love story with you!” – watched the film for a second time with me a few days ago. And just when I got up to go to the kitchen for a cup of tea, I heard a shout from the living room: “Babe, EVE has found WALL-E!” he yelled with glee.

Well, he did watch a love story with me after all…but that’s the secret genius of this film: it isn’t what it appears. To recap: WALL-E is at the same time a love story and a condemnation of our collective consumerism and ecological shortsightedness. But the film also proves a theory that I hold dear: gender (i.e. masculine or feminine) is almost entirely a social construct having very little to do with one’s given sex.

My brother the psychologist says that most children can identify their sex by the age of 3 or 4. And even if they have gay parents, they’re so inundated by examples of heterosexual coupling in the pop culture world around them that they begin to distinguish the differences between men and women – other than those differences they’ve exposed to each other on the playground. Before they even see the film, they identify WALL-E as a male character and EVE as a female character, even though these robots are not anatomically correct. The boy is boxier with square shoulders, my brother points out. EVE, the girl, is shiny and smooth. And if you hear their voices, you note that WALL-E’s voice is slightly deeper in tone than is EVE’s.

Magically, these characters’ genders do not correspond. WALL-E has spent 700 years alone on a deserted Earth…with no real company except for Cornelius Hackl and co. in the 1969 musical extravaganza Hello, Dolly! (And let’s face it: Michael Crawford is not the world’s most masculine hero!) Ergo, WALL-E spins and sputters in an earnest attempt at musicality. He picks up trash and shoves it in his vaginal-cave-of-a-stomach. And he’s emotionally moved by all of the little things rougher beings take for granted: a love song, the life of a lowly cockroach, etc. Like Princess Ariel in The Little Mermaid (1989), WALL-E collects precious (to him) things from the long gone human world and treasures them in his tiny, lackluster domicile.

eve-walle1EVE, on the other hand, has a great big weapon that shoots nuclear missiles in a split second. She’s slightly larger than WALL-E, and certainly more aggressive. She rescues him – the “damsel” in distress – and carries his broken body back to Earth in a desperate attempt to heal him and hold his hand. This is an empowering message for little girls, who are alternatively allowed princess role models or Bratz dolls (you know, the dolls who sport bare midriffs and the appearance that they’ve just emerged from botox injection therapy?).

Now, I know what you’re thinking: will WALL-E turn little boys into sissies if EVE is giving little girls another Joan of Arc? Certainly not! But there may be a silver lining in this film viewing experience for boys too: they might learn a little sensitivity…and one day they’ll be open to movies other than Rambo and Die Hard.

The bottom line is that until we’re told we have to behave in a certain way – for instance: our parents say so, our girlfriends do so, or magazines show so – we girls usually behave in a way that feels natural for us. Sometimes, we find ourselves seeking permission to behave differently than other little girls. There are standards out there. This is why little boys often find it difficult to cry…and probably why little girls often find it difficult not to. How quickly they learn the rules!

I’m excited to report that, while WALL-E and EVE might not change our children, they will enlighten them.

Man on wire said “So what!”

Posted in Film and Television, Personal Essays, queer theory by femspotter on September 11, 2008

September 11, 2008

The documentary film Man on Wire chronicles the six-year process by which French high wire artist Philippe Petit planned and illegally executed his famous 45-minute walk between the two World Trade Center towers in New York City, 1974. The movie is a thrill ride. It’s not like you don’t know what’s going to happen. But, for instance, it’s like the inevitability that affects the nerves when watching James Cameron’s Titanic (1997): you know that ship is going to sink but you just can’t look away.

Sometimes, the most important part of human experience is the journey, rather than the destination.

For Petit, the destination was nearly 1,400 feet above ground. His journey would take him on airplanes back and forth between the United States and France…in and out of friendships, romances…and from a time in his life when a little boy ripped a picture of the Twin Towers out of a magazine to the time – about five minutes into the walk – when a 24-year-old man let got of any fear he’d been clinging to and smiled.

The film made me think a lot about fear. I left the theatre feeling exhilarated. I thought, how can I ever give in to fear again? Petit got through six frustrating years of planning and then didn’t back down at the summit, even after evanescent moments of second-guessing the outcome. I have so many little battles with fear on a daily basis…but because of the man on the wire, I can’t let fear get the better of me. If Petit can walk between buildings in the sky, then I can ask three of my professors for letters of recommendation for Yale University’s English literature PhD program. I can apply for that job that seems just a bit out of my reach. And I can wear dark red lipstick if I like it…to hell with what the other girls say behind my back. (Would you believe that the biggest fear of the three is that last one?)

Then I started thinking that if Petit’s fear was barely perceptible, perhaps others have fears, big and small, that they hide. And what’s the difference between the fears common to men and those common to women?

I’ve observed that most exhibited fears align with social pressure and perception. Men, for instance, often fear letting their emotions get the best of them. As most people know, “real men” don’t cry.

I remember the first time I saw my husband crying. His mother was very sick with cancer and was in and out of consciousness. He knelt beside her and wept. If social acceptance for men is contingent upon their ability to remain stoic in times of emotional turmoil, then J*** may not be one of those aforementioned “real men” of the world…but I never felt closer to him than I did when he let his guard down. I understand the fear. The bravest thing to do in such times is cry.

Women, on the other hand, tend to fear manifest emotions less. We’re expected to whimper and cheer during appropriate experiences. But I think we worry more about being judged by others than men do. A man might not worry that others will disapprove of his job or his salary, but his wife probably does. She probably worries that her friends will think her hubby doesn’t dress well/make enough money/say the right things. And in this increasingly demanding world that is challenging the typical heterosexual model of family on multiple fronts – i.e. man at work, woman in the kitchen – a woman might worry that her friends think she herself doesn’t dress well/make enough money/say the right things.

I’ve observed that men tend to be more interested in being the sole victor than most women I know. I’ll share the glory. Some men fear a bit of healthy competition and do everything they can to surround themselves with people who don’t pose a threat to their success. Women, instead, surround themselves with people who don’t pose a threat to their image. Who ever heard of a beautiful bride’s maid’s dress? And how many football quarterbacks are best friends with other quarterbacks? There can only be one “Most Valuable Player.” There can only be one “Prom Queen.”

And there can only be one man on the wire at a time, though Petit had nothing to fear from his cohorts. The only one who wanted to be on that wire was him.

When I think about the most crippling fears we have, I realize that they are just that: crippling. We lose out on so much in life because we’re afraid to fail, or be judged, or be embarrassed. And then we lose sleep later on wondering what we could have achieved were it not for the fear.

We have to employ the words “So what!” more often. What are the risks? He might not like my hair, she worries. So what! She might win that award instead of me, he thinks. So what! Here’s something you don’t use those words about: there are children starving in Africa. Focus on that instead of your fear.

Petit has been quoted as saying, “When I see three oranges, I juggle; when I see two towers, I walk.”

For him, there was an unstoppable force compelling him to climb to the top of the World Trade Center and dangle from a metal cable. And he didn’t let anything keep him from completing his reverie. We can spend time asking the question: Why did he do it? But the better question is: How? If he thought to himself, “I might fall,” he subsequently shrugged it off. If I fall, he thought, I’ll die doing something I know in my gut I was meant to do.

If Petit could walk the high wire and blind Senora Webster could dive horses from a height of 60 feet…then I can muster the courage to ask for recommendations.

But they might reject me?

So what!

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